The Man in the Iron Mask is the continuing story of those famous musketeers who were introduced to us in The Three Musketeers - Athos, Porthos, Aramis, and d'Artagnan. While it has been more than twenty years since their great deeds were performed, the four appear to be just as strong and brave as then. An interesting prisoner is central to this story of intrigue and betrayal - a man whose face is powerful enough to remain hidden behind an iron mask. The fortunes of all are drawn into a dangerous plot surrounding this mysterious prisoner. Will they each prevail or is it the end of the four musketeers?
Things I Liked:
One of my favorite books of all time is The Count of Monte Cristo, also by Dumas, because of its fast-paced and action-packed plot. This conclusion to the musketeers' adventures does not fail in that regard. From the first pages, I was sucked into this story that is literally bursting with plots and intrigues and sword fighting (though not so much as in The Three Musketeers). Dumas has a skill in creating complicated and interesting plots - plots that will keep you biting your nails. He switches from storyline to storyline, leaving you on the edge of your seat the whole time. He manages to keep track of what seems like forty different plots and then to weave them together. I love the characters, some of whom I have loved through the whole series of their adventures (or at least those parts I've read, The Three Musketeers and Twenty Years After). I have to admit to liking Porthos the most - who doesn't like a funny and somewhat dimwitted, but exceedingly good-hearted guy? It does have a rather sad ending, but that is expected for some seriously aging musketeers. Here are just a few of the parts I enjoyed:
"You will have the kindness merely to tell M. de Saint-Aignan that he has, in the first place, insulted me by changing his lodgings."
"By changing his lodgings? Good," said Porthos, who began to count on his fingers - "next?"
"Then in getting a trap-door made in his new apartments."
"I understand," said Porthos; "a trap-door; upon my word this is very serious; you ought to be furious at that. What the deuce does the fellow mean by getting trap-doors made without first consulting you? Trap-doors!" p 96
"What is the matter, monsieur?" inquired Saint-Aignan.
"I regret to say that I hve broken your chair."
"Not at all, monsieur," said Saint-Aignan; "not at all."
"It is the fact, though, Monsieur le Comte; I have broken it - so muh so, indeed, that, if I do not move, I shall fall down, which would be an exceedingly disagreeable position for me in the discharge of the very serious mission which has been intrusted to me with regard to yourself." p 99
"I am strong against everything, except the death of those I love. For that only there is no remedy. He who dies, gains; he who sees others die, loses." p402
"In the presence of this ingenuous greatness of soul, Aramis felt himself little. It was the second time he had been compelled to bend before real superiority of heart, much more powerful than splendour of mind." p478Things I Didn't Like:
I admit to skimming over long passages that didn't seem to add much to the plot. He has a lot of extraneous material that he appeared to be obliged to include. I should next time choose an abridged version, if available. Also, probably because I didn't read the rest of The Vicomte de Bragelonne or Ten Years Later, I was confused by some things referenced about the previous books (apparently, The Man in the Iron Mask is the third part of this extremely epic tale). I also wondered at some of the motivations of characters that didn't seem clear to me. I've probably forgotten much about Madame de Chevreuse, but I really had no idea what her purpose was, other than to stir things up. I would have liked a little more introduction (though, I was surprised that the introduction to the edition I read seemed to indicate that Dumas was always summarizing what happened in previous books - I obviously missed all those summaries). And Raoul? Uh, don't get me started. What a wimpy, moping fellow. He's kind of like the male version of the broken-hearted girls depicted in many recent books. Get over it.
The Three Musketeers by Dumas (of course)
The Count of Monte Cristo by Dumas
BOOK CONTENT RATINGS:
(well, they are in French I think)
mostly just intrigues implied throughout
of course, they fight, sometimes to the death
Overall rating: ****
And even with all those things that bothered me, I still enjoyed it. What do you think of Dumas?
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